I have been listening to music since I can remember: every genre, every artist, every edgy and niche subculture.
I am a great listener: I take pride in discovering unheard gems, trying to connect with their authors.
It never gets old, really… somehow, music keeps hypnotising us, surprising us, always, always offering something new. Must be some sort of magic.
With ‘Leviathan’, we can fully grasp what Sri Lanka stood for, a stream of brooding alternative goodness that we’d argue would work well in the present day. There’s no doubt that the project had a lot of potential.
In an industry landscape that often rewards uniformity and familiarity, Black Leather Birds rebels with a wave of experimental aural matter and mangled spoken words. Discover ‘of Children and Their Sorceries’.
‘HOPE’ is an actual work of art, and as such, it should be celebrated. Meet IRXIUM and OShane
‘Jukebox Brawl’s music video oozes unmatched cinematic storytelling, as Coleman Easterly unveils a classic tale of rural Tennessee.
"I was just making music I wanted to hear. The fact that people around the world connected to it wasn't something I planned. I'm really happy with where things are now. Knowing that people can discover my music and actually listen to it means a lot."
As we long for a meaningful life, Zoe Konez helps us find a more authentic path forward, unveiling ‘Everything’s Fine’ as an introspective and cathartic body of work.
As debut records go, ‘Electric Eel’ is a surprisingly good effort, the strongest evidence of Takabanda’s heightened artistry and purposeful songwriting.
Emma Miller has developed an immersive and evocative folk-leaning universe, a personal musical space that feels cinematic and hypnotic, but also raw and authentic.
‘Rooms To Let’ is a crepuscular and ambient-coded cut that moves with leftfield epicness and hypnotic character. Meet Saline Grace.
‘One Day’ is a three-dimensional, hazy piece, one built on luscious dream-pop and catchy, relatable melodies. There’s a heightened sense of space in it, an otherworldly quality that it’s hard to resist.
Hailing from Quebec, Maelydée infuses an eclectic and unconventional sonic formula with cinematic storytelling and deeper lyrical theming. Discover 'Sanzaru'.
‘The Hag’ represents one of the most kinetic and bold episodes in ‘The King and the Sparrow’, further highlighting Arn-Identified Flying Objects and Alien Friends’ musical prowess.
