‘Bennett Tell Me’ unfolds in deep cinematic fashion, embracing a dark and brooding character that weaves the fine line between vintage allure and industrial futurism.

‘Time Waits For No One’ showcases all of the lyrical elegance and aural tenderness Sara Gerdine has to offer.

‘Reign Down’ EP signals a return to more homely territories, weaving into folk-rock and pop-leaning shores with unmatched charisma and nostalgic flair.

We appreciate the meaningful allure that lies beneath an otherwise electrifying and moody record; it’s clear that Lil’ Mike shines in his rap flow as much as he does in his songwriting.

As we see it, the album is a giant artistic statement, a lengthy exploration of everything Get The Net have to offer.

The listening experience behind ‘Farewell’ is surprisingly tender and emotional, a slice of gentle acoustic tones and orchestral elegance.

Kim McClay has unveiled a brand new EP, ‘Worth It’, a record that signals her definite return to the international music scene after a nearly three-year-long hiatus.

Night’s Bright Colors are back with their latest album ‘nowherehouse’, a record where deep reflections are often hidden behind sweeter melodies.

Not your average hip-hop album, ‘The Art’ sees Traè Scott celebrating lyrical introspection as well as the underlying creative process.

‘Gold’ welcomes listeners with quiet restraint, letting Selkie’s angelic vocals spark an evocative, introspective aura. It’s a crepuscular offering, a piece that aids deep reflection and emotional reckoning.

‘Candyman’ marks the return of Los Angeles-based outfit Road Movie, now delving into brooding guitar riffs and darker Americana territories. There’s a new album on the horizon…

Gearing up for an upcoming album, Trevor Phelps shares a kinetic and slightly nostalgic cut, ‘Home Now’.