I have been listening to music since I can remember: every genre, every artist, every edgy and niche subculture.
I am a great listener: I take pride in discovering unheard gems, trying to connect with their authors.
It never gets old, really… somehow, music keeps hypnotising us, surprising us, always, always offering something new. Must be some sort of magic.
'Divine Intervention' continues the group's reflective and partly philosophical ethos. It's not a surprise, given how the project has become an outlet for escapism and introspection. This is lovable, purposeful shoegaze.
The hiatus is now over: just a few days ago Patrick Doval unveiled 'Rocket to The Moon', the project's comeback single.
'The Man Who Killed The World' particularly rejoices in its enlightened lyricism, with the talented Scottish artist making it very clear that he's writing music for a specific purpose, music that aims to serve the collectivity and aid a way forward.
'Moon En Flor' is a stream of kaleidoscopic aural matter, a series of tracks that weave in and out of Western and Latin culture with bilingual prowess.
There's a new MAMI UMAMI's record to look forward to. In fact, it's already here today, dropping into our dystopian reality with all the artistic allure that the Swedish outfit have to offer.
At its core, 'Forever Fool' carries all of the growing pains experienced by an artsy teenager in our modern world. The coming-of-age lyricism is bound to be extremely relatable to any like-minded listeners out there.
It's an EP that invites listeners in and that takes them away into a magical, fictional world, one where indie-folk charisma is often exchanged for chamber-pop melancholy.
The aural experience behind 'Bird of Paradise' is rather intimate and poignant. Whitehouse's malleable, evocative vocals are offered to the listener in their rawest form, standing tall against a gentle acoustic piano.
'Tokyo Rose' blooms into a magical aural journey, a blend of organic textures, rolling drums and epic vocals. The listening experience is sumptuous and inspiring, even angelic at times.
We Are To Blame have unveiled a body of work that's bound to appeal to heavy metal listeners as well as anyone looking for epic melancholy and distorted cinematic allure. Discover 'Omega Origin'.
One of the key points of 'FREE' revolves around its open-ended significance. The Meir built a sonic landscape that's epic and evocative, as well as full of relatable lyricism.
In a way, Stefano Jeff Blues manages to translate a flurry of nostalgic emotions into aural gold, offering listeners a slice of escapism in an otherwise gloomy, complex world.