I have been listening to music since I can remember: every genre, every artist, every edgy and niche subculture.
I am a great listener: I take pride in discovering unheard gems, trying to connect with their authors.
It never gets old, really… somehow, music keeps hypnotising us, surprising us, always, always offering something new. Must be some sort of magic.
In ‘CONTROL’, Olie N. crafts music with purpose, layering his observant lyrical flair over alternative and leftfield aural territories.
‘Where You Begin’ marks The Sunday Shamans’ latest effort, a piece that feels decisively more uplifting and intense than its predecessors. The group is back in town!
Annika Bellamy has returned with a fully original offering, ‘The Palm Tree’, a fresh and uplifting cut that sounds luscious and expansive. The perfect match for the upcoming summer season.
‘War Killer’ indulges in haunting and fierce rock’n’roll action, something that is well reflected by the roaring guitar riffs and rolling drums, as well as by McKee’s potent vocals.
Bright and electrifying, ‘Drop Dead Gorgeous’ marks FLOUVA’s first release of the year, a contemporary electro-pop nugget steeped in visionary lyricism and evocative imagery.
We appreciate the peculiar contrasts between an uplifting and whimsical aural livery and the more striking dooming lyricism. It’s like staring at the abyss with optimism and hope. Meet Replaced By Robots.
‘Gus Gus’ finds Jason Lenyer Buchanan at his most poignant and reflective, unveiling a newly-found songwriting voice, one that’s drenched in honesty and introspection. There’s a new album in the works.
‘LITTLE BLACK DRESS’ is the quintessence of a rock bop, a track that embraces roaring guitar riffs, rolling drums, and playful, bold vocals. This feels like the perfect description of Sig And The Fire Pilots.
Tár are far from your average rock imprint, instead pursuing what they describe as ‘nostalgic-gaze’, a blend of desert rock and grunge steeped into spacious dream tones and lyrical escapism.
Drenched in nostalgic flair and analogue character, ‘Father of the Chapel’ marks the triumphant return of London-based folk storytellers The Early Swerve.
Built on tender, acoustic tones, ‘Zagani Lullaby’ is the quintessence of an aural chiaroscuro, a haunting encounter between lullaby-esque melodies and a strikingly melancholic mood. Meet Alessia Piermarini.
‘Then I Woke Up Pt. 2’ feels incredibly vibrant and evocative. We suspect people will connect to it; it’s a great soundtrack for introspection and escapism.
