"I’m trying to practice writing about things that aren’t specifically about me. I don’t know why, maybe just to better myself as a songwriter. All my music, as it stands, is very much about me and my feelings."

"I’m definitely proud of how the album turned out and that I have the support of such a big tastemaker in instrumental hip-hop, Cold Busted, on board as the label, but I’m more proud of the journey I’ve been on."

What we appreciate about Darkroom Data is their ability to draw heavy influences from past decades, yet wrap their records in a contemporary, alternative sheen.

Drenched in timeless elegance and luscious allure, ‘Dance Again’ sees the return of Patti Zlaket with long-awaited new material.

‘Bennett Tell Me’ unfolds in deep cinematic fashion, embracing a dark and brooding character that weaves the fine line between vintage allure and industrial futurism.

‘Time Waits For No One’ showcases all of the lyrical elegance and aural tenderness Sara Gerdine has to offer.

‘Reign Down’ EP signals a return to more homely territories, weaving into folk-rock and pop-leaning shores with unmatched charisma and nostalgic flair.

We appreciate the meaningful allure that lies beneath an otherwise electrifying and moody record; it’s clear that Lil’ Mike shines in his rap flow as much as he does in his songwriting.

As we see it, the album is a giant artistic statement, a lengthy exploration of everything Get The Net have to offer.

The listening experience behind ‘Farewell’ is surprisingly tender and emotional, a slice of gentle acoustic tones and orchestral elegance.

Kim McClay has unveiled a brand new EP, ‘Worth It’, a record that signals her definite return to the international music scene after a nearly three-year-long hiatus.

Night’s Bright Colors are back with their latest album ‘nowherehouse’, a record where deep reflections are often hidden behind sweeter melodies.