I have been listening to music since I can remember: every genre, every artist, every edgy and niche subculture.
I am a great listener: I take pride in discovering unheard gems, trying to connect with their authors.
It never gets old, really… somehow, music keeps hypnotising us, surprising us, always, always offering something new. Must be some sort of magic.
‘stranger i can’t tell’ is the kind of track that would make me divebomb into someone’s conversation, obsessively repeating the news of a good record I just found, a wonderful balance between crepuscular vulnerability and mainstream allure.
Playful and quirky, the single is both kinetically rewarding and lyrically observant, a compelling counterpoint to an otherwise boring and uniform musical landscape.
The project has been bubbling under the surface for quite some time, no doubt inspired by Manchester’s rich creative scene. Emerging from a musical family, Danny K possess all the right cards to make a difference in an overtly chaotic and uniform artistic landscape.
A synthwave record for the modern world. Aural lines are blurred, and an immense sense of nostalgia wraps listeners into dreamy escapism, a feature that’s much appreciated during such gloomy times.
In a landscape where people seem to constantly put up a mask, seeking approval, or just offering an ephemeral version of themselves, del Carmen appears as wholesome and honest as she can, embracing vulnerability with pride and confidence.
There’s no doubt on what ‘Reload’ ultimately is: an intense aural black hole providing a large amount of decadent escapism, a slice of gloomy nostalgia delivered with restless retro allure and mercurial restraint.
A vibrant, complex pop tune with a wealth of lyrical wisdom and observant spirit. You see, Schneider doesn’t make music for the sake of it; rather, he moves with purpose and meaning.
‘Be A Little Kinder’ is the type of song that doesn’t require any effort to be understood or appreciated. It’s a warm and uplifting musical embrace steeped in relatable lyricism and charming vocals; exactly what country pop is all about. I’d go as far as declaring the record a perfect fit for an early January […]
It’s been a crucial year for Afro-Aussie creative Esi. Debuting back in August with ‘SHINING STAR’, the Sydney-based talent has since championed a hyper-luscious brand of evocative, soulful R&B, often drenched in playful grooves and nostalgic elegance. If the aforementioned debut was on the uplifting side of things, the project’s latest effort, ‘BEGGING’, embarks on […]
Following up from September’s ‘SWEET TOOTH’, talented creative Bri Carter returns today with a strikingly bold offering, ‘BAD BITCH CRY’. Powerful and relatable, the single is truly introspective and personal, a slice of energetic and gritty alt-pop goodness steeped in hyper-pop influences and leftfield hints. Carter’s vocals are quite hypnotic and otherworldly, and in true […]
‘X’ marks our point of entry into South Korean outfit SYOT’s peculiar artistic universe. It’s a deeply eclectic musical space, a timeless blend of traditional Korean allure and Western influences. Marking the Seoul-based trio’s latest double single, ‘X’ features ‘Hassla’ and ‘Velvet’, two diverse and vibrant pieces that operate at opposite ends, yet both serve […]
Steeped in retro-indie goodness, ‘Real Magic’ emerges from the heightened artistry and musical genius of Canadian troubadour Johnny Payne. Formerly known as a member of the esteemed indie ensemble The Shilohs, the B.C.-based producer and songwriter has long committed to a wonderful solo project, an endeavour that took him on a nostalgic journey through rock, […]