‘Hate Me’ carries a heightened cinematic energy and a keen sense of trepidation and urgency. It’s a record that will make you feel something, not just a kinetic aural companion.

Taken from Oslo Green’s brand new album ‘No Strings Attached’, ‘GRAND’ provides a wondrous peek into the artist’s evocative and introspective artistry.

A conceptual exploration of the five stages of grief wrapped in lyrical candour and aural tenderness. ‘good grief’ is an intensely relatable record.

‘Hurry’ marks June The Destroyer’s debut album, a vibrant folk-rock record that’s sonically eclectic and wittily observant.

Focused on themes of identity and belonging, the album is particularly rooted in Tita Nzebi’s Gabonese roots, providing an overarching lyrical layer that is nostalgic as it is meaningful.

‘Pastures’ uncovers the heightened maturity and introspection surrounding Del Carmen’s songwriting. An Americana-laden adventure into early adulthood and the constant search for a deeper meaning.

Originally from Italy, Leonardo Cococcia moved to the US to attend Berklee's NYC campus, connecting with like-minded creatives and influential mentors.

If he continues like this, it won’t be long till Chasey the Illest makes it big; just a matter of time and opportunity. The talent is there already.

A dark and explosive metal record about war. ‘This Gun’ sees Rosso Tierney emerging with a timely, observant reflection on the absurdity of war.

‘If I Be Damned’ channels personal chaos into artistic order; it uses vulnerability and emotional turmoil as a launch pad for aural authenticity.

Nejmah’s catalogue so far appears as the perfect blend of nostalgia and contemporary allure, a musical brand that will likely appeal to a wide audience.

If Depeche Mode and Deftones were to collaborate, ‘To Nothing’ would likely be the end result. A piece that’s both melancholic and euphoric.