I have been listening to music since I can remember: every genre, every artist, every edgy and niche subculture.
I am a great listener: I take pride in discovering unheard gems, trying to connect with their authors.
It never gets old, really… somehow, music keeps hypnotising us, surprising us, always, always offering something new. Must be some sort of magic.
‘Love is Blind’ showcases Prem Byrne’s mellow, evocative songwriting, often built on hypnotic melodies and feather-like, gentle arrangements.
Panpsychism is the belief that everything material carries an element of individual consciousness. Such a radical doctrine played right into Juno Empire’s hands, allowing the American artist to dramatically increase the level of abstraction in his music.
A faithful interpretation of classic blues allure delivered with contemporary quality, ‘All That We Are’ marks the latest album by Parisian duo Blues Corner.
‘Bright Young Thing’ is a fuzzy, playful offering drenched in aural nostalgia and brooding melodies, a timeless slice of indie-rock bonanza with a rather introspective allure.
‘You eat me up, Rose’ is a main-character-energy anthem, a triumphant, bold piece that transforms ordinary days into epic, cinematic adventures.
A respected name in the American singer-songwriting community, Allen showcases once again his committed artistry, a lifelong effort into honest songwriting and musical virtuosity.
Australian brothers Wattmore team up with mentor Alan Caswell for a gripping, darker country cut, a piece that confirms their status as rising talents.
There’s a certain abstraction in ‘To Be Free’, a keen sense of wonder that transpires through its eclectic identity, an ethereal concoction of artsy rock allure and experimental electronica wrapped into limitless textures and improvisational ethos. Behind the record, we find Solbore, the project of Brighton-based producer, multi-instrumentalist and label/studio founder Vlad Matveikov, via Rainbow […]
What propels the project is a fine balance between blissful, bucolic textures and darker tendencies, an aural chiaroscuro that makes moonsomoon incredibly dynamic and feverish.
Led by Sarah McGuinness’ fascinating charisma and timeless allure, The Halyon Club returns to London in March. In Soho, for one night only.
Nothing about No Spinoza is average; rather, the contrary. Everything is peculiar, a prophetic concoction of artsy prog-rock and layered, abstract storytelling.
‘Precious’ is escapism in its purest shape, a listening experience that feels rather unreal, a cosmically powerful composition that sent us right into the twilight zone.
