There’s an alluring veil of mystery around ‘UltraTerrestrial’. A long and complex album, the record collects a plethora of prog-rock influences into a cohesive, technical body of work, one that feels familiar, yet also refreshing and incredibly eclectic. While the starting point could be somewhere between Mars Volta and Porcupine Tree, the end result is practically borderless, not afraid of descending into experimental territories and pop-leaning motifs. As we said, it’s a very comprehensive, wide record.
‘UltraTerrestrial’ will require time and attention to be fully decoded. Along the way, you might find yourself likening Herman Martinez’s vocals to Dave Matthews’s… there’s a weird mix of references and styles in it, but it all comes back to a fine, bold thread, a thread that resonates with Martinez’s hidden artistry and unmatched creativity. Hailing from the US, the DIY figure defines himself as “a self-taught, multi-instrumentalist cryptid roaming around the trees and darkness of the Atlanta area”.
Asked to give meaning to the album, he eloquently explains: “The world is enveloped in apathy, and I hope this album is a beacon of chaotic good and love for those who still practice.” Such a potent statement particularly resonated with us, potentially marking the record as an antidote to the dark apathy that’s slowly conquering the world. Music might be the answer. Just try it out.
Recommended! Discover ‘UltraTerrestrial’ on Spotify:
