The keen listener might remember American singer-songwriter Kevin Driscoll. Featuring ‘Black it Out’ earlier this year, we celebrated the record as a “haunting, liminal effort, developing within an austere, minimalistic framework”. If that single was incredibly intense and gloomy, Driscoll’s latest effort ‘The Maine Thing’ showcases a lighter, more evocative note, a charming slice of traditional folk and Appalachian goodness.
Steeped in banjo, acoustic guitars and fiddles, ‘The Maine Thing’ flourishes thanks to Kevin’s sharp, jagged storytelling, delivered with his signature intimate, prickly vocals. That’s a foundational quality in the project’s overarching ethos, so much so that it makes Driscoll’s song quite unique and leftfield. Of course, the single remains relatable and charming, but also philosophical and abstract, drawing heightened inspiration from the concept of grounding oneself.
As Driscoll eloquently explains: “When you’re lost, discombobulated, off your game, remember The Maine Thing; that’s what really matters.” The record’s unique recording style helps the message reach its listeners, with Kevin’s vocals sounding earthy, raw, and sombre. Alongside Driscoll himself, the piece benefits from renowned Argentinian musician Damien Bolotin, engineer Richard Dudley, and producer Jeremiah Johnson.
Recommended! Discover ‘The Maine Thing’ on Spotify:
