We could spend many adjectives praising Jana Pochop’s latest album, ‘Powerlines’. Yet, for now, we will stick to two: hypnotic and heartfelt. A graduate of Berklee NYC’s Songwriting and Production Master’s Programme, the Albuquerque-based creative draws from two specific and distinct currents of influences. On one side, you’ve got your wholesome Americana and Folk references, certainly manifesting into Pochop’s introspective lyricism and tender melodies. Then, you’ll find a dreamy and experimental allure, a crucial companion for Jana’s wide-ranging artistry. This manifests in the record’s luscious, hazy production.
‘Powerlines’ is exactly that: the perfect balance between two seemingly contrasting extremes. Yet, it all works. Opener ‘I Miss Driving’ feels quite expansive and spacious, reminding us of dream-pop and shoegaze at times. Jana’s vocals are incredibly nostalgic and gentle, embracing true, unfiltered escapism. ‘Pretty Please’ brings the focus back on acoustic guitars and a more laidback, organic sound. Inspired by the vast landscape of the American West, Pochop pens an absolute stunner.
‘Powerlines’ is equally meaningful within its aural boundaries. For instance, Pochop made wide use of Impulse Response Collection to “capture the literal ‘ghosts’ of the landscape, recording the distinctive reverberations of artist Georgia O’Keeffe’s home and studio in Abiquiu, NM”, as we are told. It’s clear that Jana is not only a gifted songwriter, but also an overall creative, a sonic visionary that’s not content with the status quo, always striving for more.
Recommended! Discover ‘Powerlines’ now: