"I was just making music I wanted to hear. The fact that people around the world connected to it wasn't something I planned. I'm really happy with where things are now. Knowing that people can discover my music and actually listen to it means a lot."

As we long for a meaningful life, Zoe Konez helps us find a more authentic path forward, unveiling ‘Everything’s Fine’ as an introspective and cathartic body of work.

As debut records go, ‘Electric Eel’ is a surprisingly good effort, the strongest evidence of Takabanda’s heightened artistry and purposeful songwriting.

"I'm trying to write and record meaningful songs. Back in the old days, I was trying to write catchy songs. There's a difference. Just because it's catchy doesn't mean it says anything important."

"I can’t really imagine a version of myself where creativity doesn’t exist. Even during periods where I stepped away from releasing music publicly, I was still creating privately because it’s such an instinctive part of how I navigate life. I think creativity, for me, is less of a career choice and more of a survival mechanism."

‘Until The End’ showcases My Deepest Enigma as more than your average rock outfit: they know how to write music properly, doing so with purpose and creative freedom.

"Dreams can feel comforting and unsettling at the same time; they rarely exist at emotional extremes. There’s often a strange softness to them, even when something melancholic is happening. I wanted the record to move in that space between calm and tension, clarity and fog."

Taking a more introspective and meaningful approach, ‘Existential Questions’ further advances Idris Din’s musical saga, reiterating the project’s wholesome character.